Build a Complete Acoustic Guitar Step by Step — Using Methods Most Luthiers Never Teach
A complete video course for experienced woodworkers who are ready to stop wondering and start building.
Course Introduction with Jeff Bamburg
The Neck Reset and the Voicing Problem
Two Problems With Every Traditionally Built Guitar — And How This Course Solves Both.
The Neck Reset Problem
In traditional construction the fingerboard is glued directly to the top of the guitar. Over time string tension causes the geometry to shift — the action rises, playability suffers, and the guitar eventually needs a neck reset. It's an expensive, disruptive repair that every traditionally built guitar will need sooner or later.
In this course you'll build with Jeff's cantilevered bolt-on neck system — a design he's been refining for over two decades. The fingerboard floats above the top, never glued to it. The geometry stays correct permanently and is always adjustable. You'll never build a guitar that needs a neck reset.
The Voicing Problem
Most courses give you bracing dimensions and send you on your way. But wood varies enormously — the same dimensions on two different tops produce two very different sounding guitars. Most builders close the box and hope for the best.
In this course you'll learn Jeff's free plate tuning method — a way of physically hearing and feeling how your top is responding before you close the box. You'll know — not guess — that your guitar is going to sound the way it should.
Course Curriculum
- Joining Top (3:21)
- Cut Rosette Channel (14:03)
- Flycutter (1:48)
- Inlay Rosette (5:25)
- Top Thickness (4:10)
- Soundhole Cutout (3:44)
- Bridge Plate (2:23)
- Prep Top Bracing (3:24)
- X - Brace (5:35)
- Lower X - Brace (2:13)
- Transverse & Finger Braces (1:08)
- Bridge Plate Final (5:07)
- Soundhole Strips (1:07)
- Draft Brace Layout (4:49)
- Glue Braces (17:26)
- Glue Soundhole Strips (5:06)
- Voicing the Top (22:15)
- Introduction (0:58)
- Glue Purfling to Binding (2:17)
- Bend Binding (3:19)
- Back Purfling Ledge (5:37)
- Top Purfling Ledge (3:34)
- Binding Ledges (4:05)
- End Graft (12:15)
- Back Purfling (10:55)
- Back Binding (12:59)
- Top Purfling (4:49)
- Top Binding (3:53)
- Level Back Binding (3:22)
- Level Top Binding (2:01)
- Level Sides (2:27)
- Open Mortise (2:38)
- Neck Blank (5:22)
- Dowel Insert (8:30)
- Truss Rod Slot (3:55)
- Threaded Inserts (12:39)
- Tenon (4:51)
- Finger Board Extension Pocket (4:55)
- Fit Tenon (2:10)
- Fit Neck (4:57)
- Neck Set (4:32)
- Fingerboard Extension (6:55)
- Scarf Joint (11:50)
- Carbon Rods (8:18)
- Insert Carbon Rods (6:09)
- Level Neck (9:03)
- Headstock Ears (5:59)
- Headplate Inlay (7:14)
- Glue Headplate (6:21)
- Square Nut Slot (4:00)
- Truss Rod Slot (7:01)
- Thickness Headstock (8:49)
- Insert Truss Rod (6:36)
- Glue Fingerboard (8:14)
- Drill Headstock (4:07)
- Initial Neck Shaping (3:22)
- Headstock Shaping (2:56)
- Shaping Extension (4:25)
- Heel Cap (7:32)
- Side Dots (4:09)
- Final Neck Shaping (16:04)
Meet Your Instructor
Hi, I’m Jeff Bamburg
"Jeff Bamburg has been building guitars for over three decades from his shop in Salida, Colorado. His cantilevered bolt-on neck design has been a proven performer for nearly two decades. He's taught this system in person for ten years and built this course to make that instruction available to any woodworker, anywhere, at their own pace. Jeff is actively present in the student community and committed to helping every student reach a finished, playable instrument.
'I've heard it a hundred times: I've always wanted to build a guitar, but... This course is what comes after the but.'"
"I've taken other online lutherie instruction before finding Jeff's course. After going through this material I can say without hesitation it is the best laid out lutherie instruction I've seen. The neck design makes perfect sense — I don't understand why the traditional attachment system is still being used."
— Experienced guitar builder, multiple previous builds
Dave Built His First Guitar With This Course
"Thanks to Jeff and his online course I was able to produce this beauty on my first guitar build. The course was very thorough and easy to follow through the many steps it takes to produce the final product. Quite proud of my effort."
— Dave Burns, retired woodworker